Look Ma! More Links That Filmmakers Should Check Out…

I found these on various sites and they’re all worth a read.

What You Need to Know to Succeed With Crowdfunding


Six Ways to Fund Your Independent Projects


Jon Reis on Self-Distribution


Women in Cinematography – video


Okay, that’s enough for today. We now return you to our regularly scheduled broadcast…

Albert Maysles Interviews

Since Albert Maysles passed away this week at the age of 88 I thought it would be a good idea to post these two interviews with him that I found and a TedxTalk. I hope you enjoy them. Then go out and watch his films.

Albert Maysles on CounterCulture

Theater Talk

And here is a Tedx talk with Albert Maysles.

Rest in Peace Mr. Maysles you were an original and you will be missed.

RIP Albert Maysles

I had the pleasure of having lunch with Albert Maysles in New York quite a few years ago. He was a really nice fellow and a wonderful storyteller.

If you haven’t checked out any of his and his brothers films you owe it to yourself to check them out. Among my favorites are Salesman, Gimme Shelter and Grey Gardens, but there are so many more.

Here is a link to a nice article in the New York Times.


RIP. You will be missed.

Two Great Interviews With John Cassavetes

Here is a 40 minute documentary about John Cassavetes while he was editing Faces. It’s pretty interesting…

Here is an audio interview of John Cassavetes with Gena Rowlands in the mid 1970′s right after A Woman Under The Influence.

I am a huge fan of Cassavetes and you all should watch both of these interviews.

I keep finding all of these links that I think are important to Filmmakers

Here are some more links I found from Rose Spinelli at The Crowd Fundementals Check out Rose’s site here – http://thecrowdfundamentals.com/

I’m a fan of Rose’s and I think she really knows her shit. If you want information on Crowd Funding go to her site.

Digital Advertising, Bad Bet? Bad Bot!

A quote –

“It turns out that from 88% to 98% of digital ads we pay for are clicked by bots, not thinking, discerning humans. And the fraudsters aren’t fringe offenders; they are companies we rely on and respect like—this one broke my heart—LinkedIn. They came in at 88% fake, with the worst offender being Google, at 98%. Good old Facebook and Yahoo tied at 94%.”

Read the whole article and then decide of digital advertising is for you.


Here is a Twitter Management platform – -

Twitter Management


Here’s an interesting article (not sure how old it is) on why people support various projects through crowd funding.

The Motivations Behind Crowdfunding – - https://www.invesdor.com/finland/en/blog/33

Here is a quote…

The three authors mentioned, identified the main motivations to invest as following:

  • Personal identification with the project’s subject and its goals,
  • Contribution to a societally important mission,
  • Satisfaction from being part of a certain community with similar priorities,
  • Satisfaction from observing the realisation and success of the project funded,
  • Enjoyment in being engaged in and interacting with the project’s team
  • Enjoying contributing to an innovation or being among the pioneers of new technology or business,
  • The chance to expand one’s own personal network,
  • The expectation of attracting funders in return for one’s own crowdfunding project,


Let’s end with a link to John Cleese.

John Cleese on Comedy & Intelligence – Are We Losing It


Samuel Fuller Documentary: The Typewriter, The Rifle and The Movie Camera

I found this interesting documentary on Sam Fuller. It features interviews with Martin Scorsese, Tim Robbins, Quentin Tarantino and Fuller himself. It’s a good watch. Check it out and learn about films these guys know all about and you’ve probably never heard of…

New Links That Are Worth Your Time

Here are some new links I picked up this week. Some are left-overs from Sundance. The first one is really interesting to me. It’s from Rose Spinelli over at The Crowdfundamentals. Rose really knows her stuff when it comes to crowd funding, she is my go to person on that subject. Check this out.

Krowdster Article


Here are some other links, some interesting, some less so but all worth a glance.

Sundance: Does Theatrical Matter as Much for Indie Filmmakers?


Why Sundance Isn’t The Only Answer for Indie Filmmakers


Not Afraid to Fail: A New Distribution Model Empowers Filmmakers and Audiences


The Feature Film That Blew Everyone Away at Sundance Was Shot on an iPhone 5s


Don’t forget you can Download a FREE Preview of my books over on the right hand side of my page.


Shamelessly Promoting My First Book @ Only $9.95 + S&H

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The Angry Filmmaker Survival Guide: Making the Extreme No Budget Film


Kelley Baker is the Angry Filmmaker. But his independent films are not angry, they’re honest. He’s angry at the state of independent film. For Baker, it’s about telling the story, not what actors are starring in it.

Kelley Baker worked in Hollywood for 20 years. He’s well known for being the sound designer on six of Gus Van Sant’s feature films, including My Own Private Idaho, Goodwill Hunting and Finding Forrester. He’s also made numerous award winning short films and three of his own independent feature films, Birddog, The Gas Cafe, and Kicking Bird. The most recent, Kicking Bird, was made with a budget of $6000 and has played to international audiences.

His films have aired on PBS, Canadian and Australian television, and have been shown at Film Festivals including London, Sydney, Annecy, Sao Paulo, Sundance, Chicago, Aspen, Mill Valley and Edinburgh.

Here, with all his attitude, is the wisdom of an Angry Filmmaker, gained the hard way, through experience.

“Finally, a film resource that tells it like it is! – - Jon Gann, Director, DC Shorts Film Festival

“This is a great book, written by an impassioned filmmaker who also happens to be a teacher of the first magnitude. – - William M. Akers, author of Your Screenplay Sucks! 100 Ways To Make It Great

back cover“Baker is on fire about making films. You will be too after reading this brutally honest compilation of personal stories and practical advice from the front lines of independent filmmaking.” – - Morrie Warshawski, Consultant and Author (Shaking the Money Tree: The Art of Getting Grants and Donations for Film and Video – 3rd Edition)

“He pulls no punches calling out both Hollywood and very specific directors for being creatively bankrupt. The author then presents his philosophy on the physical process of filmmaking with tips and advice that could only come from someone who has been there and had scars and debt to prove it. That being said, he does not hold anything back, he tells the whole story, warts and all.” – - Nathan Eckelbarge, Microfilmmaker Magazine

“One of the best books on making your way through the independent filmmaking jungle with justifiably-angry filmmaker Kelley Baker as your top-notch guide: Funny, profane and committed to telling the unblemished truth. Don’t make your next movie until you’ve read this terrific book.”

John Gaspard
Author, “Digital Filmmaking 101,” and “Fast, Cheap and Under Control”.

Buy it now for $9.95 + $3.00 S&H

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Outside the US $9.95 + $10.00 S&H for a total of $19.95

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Billy Wilder Interview

My buddy Tom Johnson and I got to meet Billy Wilder when we were in film school. He was donating a bunch of stuff to USC and Tom and I were picked to go meet him and haul the stuff he was donating back to USC. We went up to this old Post-Production place in Hollywood met the owner and waited for Billy Wilder.

The stuff this guy had piled up on their loading dock was mostly junk. There was Billy Wilder’s personal Moviola which was an old black model probably out of the early 1950′s with his initials painted on the side. Now that was cool. Like I said, I really don’t remember much else, some old beat up cases stuff like that.

Billy Wilder finally shows up driving this huge mid 1970′s Cadillac (I think it was an El Dorado). The thing was enormous and when Billy Wilder got out he was tiny. I still have that picture in my head. He introduces himself to us, like we didn’t know who he was. He was one of my favorite writer/directors of all time. I was dying to ask him a ton of questions about his films.

He takes a look at the stuff stacked up on the loading dock and asks the owner where the rest of it is. The guy says this is all. He and Billy get in to this shouting match and Wilder is screaming at him that he is ripping him off and where is all of the good stuff. This goes on for about 10 minutes.

All of the time Tom and I are dutifully loading the truck and trying to stay out of this argument. Finally the owner of the place throws up his hands and walks away.

Billy comes over to us and apologizes although he keeps calling this guy a thief and a crook. He tells us we look like nice kids. (I have a long pony tail and a bushy black beard, Tom has long flaming red hair and a big red beard, we look like thugs!) Anyway he gives us twenty dollars to have lunch on him and then he gets in to his whale of a Cadillac and drives off.

Tom and I never got to ask him a single question. But we met him.

This is a wonderful interview with Writer/Director Billy Wilder. Maybe you’ve heard of him? He did little films like, Some Like It Hot, The Apartment, Sunset Blvd, Double Indemnity… Oh there are a lot more.

Check it out! And thank me later…

A Bunch of Interesting Links You Should Check Out If You’re Serious

Here’ a bunch of new links I figured I would turn you all on to. I gathered them from Sheri Candler, The Film Collaborative and a few other sources.

Bill Kinder talks about distributing his film White Rabbit through Tugg. An interesting read and good stuff to know.


Here is a list of the Movies that sold at Sundance 2015. Like this means anything to most of us real Independent Filmmakers.


But will they ever see any money from distribution? Check this out, not like it’s new information. Independent Filmmakers have always had trouble getting paid from Distributors. I talked to Les Blank a couple years ago and asked why he started self-distributing his films in the early 1960’s and his reply was that he wanted to get paid and he wasn’t seeing any money on his distribution deals.


Here is a piece on different Distribution Platforms. It breaks them down, sort of. It doesn’t really talk about what it really costs to get on to iTunes and things like that. But it is worth a read.


Who Needs Sundance? – This one is about crowd funding and distribution, mostly about Indiegogo and Vimeo. And how you don’t necessarily need a distribution deal to get your film out.


Check this shit out. What you do with this info is up to you.

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Dangerous: Kay Boyle

I am currently editing the film and will be fundraising again soon. I'm trying to get a decent rough-cut done. If you want to make a regular donation (not tax deductible) send me a note at kbaker@angryfilmmaker.com and I'll tell you how to do it. Thanks.

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